Initiation could also occur later in life. This thesis found that the youth years, particularly through peer influence, were a rich period for initiation into a taste for a particular genre of music. Social capital was useful for its orientation towards the role of social inter-relationships in the development of cultural taste and festival experience. Cultural capital, particularly its component of habitus, was a useful lens for focusing on the ways in which participants’ cultural tastes related to their festival experience. Bourdieu’s theory of cultural capital and the inter-linked theory of social capital, developed with slightly different emphases by Bourdieu, Coleman and Putnam, were selected as providing an appropriate theoretical framework. Little research, particularly of a qualitative nature, has investigated the roles of cultural taste and social inter-relationships in the music festival experience. The data were analysed using Fairclough’s approach to critical discourse analysis, resulting in the identification of styles and orders of discourse. It does so by gathering observations and post-festival accounts from attendees at three separate music festivals located in England. This thesis explores the role of social and cultural capital in the music festival experience.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |